As you all know, most of the background score pieces in Roja later became songs. You cannot hear full a throttled live orchestra in his scores, even if it doesn’t enhance the visuals, it will sure sound good as a stand alone track. Since he was a full time jingle writer before, his background pieces mostly sound like jingles with a definitive starting, a thematic melody, a wandering middle and a fine ending with each layer adding more catchy elements to the song. Rahman treats the background scoring also like writing songs. To start with a cliché, A.R.Rahman was the one to revolutionize the sound of Indian film music, not just in songs but also in the background scores of the movies. Now after declaring Illayaraja as almost God in scoring background music for movies in my last article on “Pithamagan” background score, I know I am in a big trouble following it with analysis on A.R.Rahman’s background score abilities. Background Scores in Tamil Movies: Iruvar
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