![]() After two more self-released albums (2006's Big Damn Nation and 2007's The Gospel Album), Peyton's Big Damn Band struck a deal with Side One Dummy, a punk label with a fondness for aggressive roots music, and 2008's The Whole Fam Damily was their first release for the label. The group hit the road hard - they play up to 250 dates a year - and in 2004 cut their first album, The Pork n' Beans Collection, which they self-released, selling thousands of copies at the merch table at their shows. Jayme Peyton rounded out the group on drums, and the Big Damn Band was born. The two fell in love and eventually married they decided to form a band, with Josh on guitar and vocals, and Breezy on vocals and washboard. However, after a year working as a hotel desk clerk, doctors at the Indiana Hand Center were able to perform surgery that allowed him to play the guitar again, and around the same time, he met a woman named Breezy, who shared his love of the blues. Not long after finishing high school, Josh broke up Drive-Thru after developing a severe case of tendonitis that made it extremely painful for him to play the guitar. King to country-blues artists such as Bukka White and Charley Patton. With his brother Jayme Peyton on drums and a mutual friend on bass, Josh formed his first band, Drive-Thru, and began playing parties and dances as Josh developed a greater passion for vintage blues, ranging from electric blues icons like Muddy Waters and B.B. When Josh was 12 years old, his dad gave him a Kay guitar, and once he grew to know his way around the instrument, he got an amp to go along with it. The group was formed by guitarist and singer Josh "Reverend" Peyton, who was born and raised in Indiana, and first exposed to music through his father's record collection, which was heavy on Neil Young, Jimi Hendrix, and Bob Dylan, all artists with their own take on the blues. While they're only a trio, the Reverend Peyton's Big Damn Band deliver a sound that lives up to their name, with thick, bass-heavy, blues-based guitar figures and growling vocals accompanied by muscular but minimal drumming and the metallic percussive scratch of a washboard (making them one of the first rock bands to regularly feature the latter instrument since Black Oak Arkansas). She takes the soul and the energy of the greats who came before her and combines them into her own brand of blues that grabs you and doesn't let go until well after the records are finished playing." - Dave Tomlinson - Preserving the BluesĢ011 - Hurricane Ruth - The Power of the Blues.Feels Like a HurricaneĢ014 - Hurricane Ruth - Born on the RiverĢ015 - Hurricane Ruth LaMaster - Winds of ChangeĢ017 - Hurricane Ruth - Ain't Ready for the GraveĪrtist: The Reverend Peyton's Big Damn Band "Hurricane Ruth LaMaster is a musical force of nature. ![]()
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